When Franco loses his daughter to this shadowy elusive murderer he sets off on an unnerving journey of retribution that will bring him to the very edge of his sanity and quite possibly his life too.
This remarkable giallo (complete with a particularly striking and haunting score from Ennio Morricone) preceded the more famous Don’t Look Now by a year in its exploration of grief in Venice and marks an often over-looked example of this beloved genre.
